Typografische
Typefaces
Custom
Profile
Blog
Trials
Cart
Light
The name Typografische comes from Typografische Monatsblatter. During my university years, this publication was not merely a reference; it was a field of thought. Designers such as Karl Gerstner, Siegfried Odermatt, Emil Ruder, Helmut Schmid, Wolfgang Weingart, and Jan Tschichold each leaving their mark in different years demonstrated that modernist discipline and experimental courage could coexist.
My relationship with type started in 2013, when I had just entered university and still referred to everything simply as “fonts.” I knew what a logo was. But the idea of a “corporate identity system” was new to me. In an introductory advertising course, we were asked to create a small identity set for ourselves: a logotype, a business card, and a letterhead.
Since 2018, I have been moving between graphic design and type design. What follows is a small fragment of that journey. For those who have known Typografische only through its typefaces, this is a glimpse into the process behind them not the foundry as a brand, but the mindset behind it.
FH 1089
FH Alpha
FH Anorma
FH Cordelia
FH Dfaalt
FH Duo
FH Enso
FH Giselle
FH Lecturis
FH Noetica
FH Oscar Pro
FH Premier
FH Total
Information
Licences
Contact
Behance
Email
Instagram
X
© 2025
Get in touch
Acibadem Tekin St. 11Kadıköy, İstanbul, 34660
Hardal Studio™
